Showing posts with label second reading across borders challenge. Show all posts
Showing posts with label second reading across borders challenge. Show all posts

Sunday, September 23, 2007

Embers (thoughts)

I've been in a hardcore reading mood lately; I've read two books straight through (not even time to list them under 'Currently Reading') and I'm a third of the way through another. Thus, I have a plethora of books to discuss: seven, in fact. And all of them have been exceptionally good.

Nevertheless, Sandor Marai's Embers jumped to the front of the line. Why? Quite frankly, it contains some of the most stunning writing I've ever read. Marai is a Hungarian who, despite being exiled in America, only wrote in his native tongue. Considering that Hungarian happens to be one of the world's more obscure languages, this prevented his work from receiving much attention. Recently, his works have been 'rediscovered' and Knopf is bringing them out. Embers was the first to be translated into English (in 2001); however, it was translated from the German and French versions, not the original Hungarian. Knopf's subsequent releases (Conversations in Bolzano and The Rebels so far) are translated from the original.

While Ember's history makes the English feel a little choppy in the beginning, the translation soon straightens itself out, and by the first thirty pages I realised that I had come across something beautiful. In structure, it rather reminds me Ishiguro's Remains of the Day: a lot of first-person narrative, looking back over the past, all occassioned by a reunion with a long-lost companion. Both books had the same current of wasted life and regrts. While Ishiguro's book left the philosophy between the cracks up to the reader, however, Marai brings the philosophy out into the open.

The idea is simple: an old Austro-Hungarian General, living on his Hungarian estate, prepares to meet his closest friend after a gap of forty-one years. Actually, I'm going to just quote from the back of the book, "Over the ensuing hours host and guest will fight a duel of words and silences, accusations and evasions." This pretty much sums it up, except the word 'duel' is slightly misleading; the friend barely ever talks, so the last two-thirds of the book (it's only 200 pages long) are a monologue delivered by the General. And yes, as a septogenarian, the General indulges in quite a bit of philosophising.

But please don't let this scare you away! Along with the achingly-written philosophical passages, there's a plot that rather creeps up on the reader. Before I knew it, I couldn't put the book down, because I had to find out how it was going to end. I refuse to tell you anything about the plot, because Marai uncovers it slowly and masterfully; if you choose to read this book, I highly recommend avoiding any discussions of it until after you've finished it. Even the back cover, which I didn't read fortunately, contains a spoiler or two. The gradual climb in tension is exquisite. And if you aren't hooked by page fifty, I'd be shocked.

The ending of the book left me utterly satisfied; in fact, the entire book felt perfect. I came away with the same afterglow I felt after reading The Remains of the Day, slightly dazed by the author's skill.

I highly, highly recommend this book to anyone who enjoys an author that appreciates his readers. That was a bit convoluted, but I think you get the gist. Marai has created a stunning piece of literature, and I want to read more by him very, very soon. A real treat, as well as a shorter read (it took me less than two hours). Check out the passages below to get a sense of his writing (I've put a spoiler alert before the very last one, which hints at part of the plot).

Favourite Passages:
...he thought only in decades, anything more upset him, as if he might be reminded of things he would rather forget... (6)

"For twenty-two years they have been living in this town which reeks like some squalid den where passing traders spend the night-a smell of cooking and cheap perfume and sour bedding. Here they live, and never utter a workd of complaint. For twenty-two years my father has not set foot in Vienna, where he was born and brought up. Twenty-two years and never a journye, never a new piece of clothing, never a summer outing, because I must be made into the masterpiece that they in their weakness failed to achieve in their own lives. Sometimes when I am about to do something, my hand stops in midair. This eternal responsibility. I have even wished them dead," he said very softly. (47)

"The truth is precisely what I don't know."
"But you know the facts," said the nurse sharply.
"Facts are not the truth," retorted the General. (73)

"The wind stirs, too, at this moment, gently, carefully, like the sigh of a sleeping man as he sense the return of the earthly reality into which he was born. The scent of wet leaves, of ferns, of crumbling tree trunks, of rotting pine cones, of the soft carpet of fallen leaves and pine needles slippery from the dew, rises up from the earth to assault you like the smell of two lovers locked in sweat-soaked embrace. A magical moment, which our heathen acnestors used to celebrate deep in the forest, worhsipfully, arms outstretched, facing East: earthbound man in the eternally recurring, spellbound expectation of light, insight, reason." (132)

"Ours was a friendship out of the ancient sagas. And while I walked in the sunshine of life, you chose to remain in the shadows." (139)

"I think that perhaps you have gone mad. I think perhaps it is the music. One cannot be a musician and a relative of Chopin and escape unpunished." (157)

"One always wants to repay the gods with some of one's good fortune. For it is well known that the gods are jealous, and that if they five a mortal a year of happiness, they immediately enter this debt on the ledger and demand repayment at the end of life with crippling interest." (162)

"Things do not simply happen to one...One can also shape what happens to one. One shapes it, summons it, takes hold of the inevitable. It's the human condition." (170)

"Since then I have never met a single person who responded so completely to everything: music, an early morning walk in the woods, the color and scent of a flower, the well-chosen words of an intelligent companion. Nobody could stroke a beautiful piece of cloth or an animal like Krisztina. Nobody took such pleasure in the world's simple gifts: people, animals, stars, books-everything interested her, not in any exaggerated way, not with apedantic outpouring of learning, but with the unprejudiced joy of a child reaching for everything there is to see and do. As if everything in the world was relevant to her, you know?" (176)

"I hate music....I hate this incomprehensible, melodious language which select people can understand and use to say uninhibited, irregular things that are also probably indecent and immoral. Watch their faces and see how strangely they change when they're listening to music." (178)

"Yes-revenge. That is why I neither killed myself nor allowed others to kill me, and that is why I have not killed anyone myself, thank heaven. The time for revenge as come, just as I have wished for so long. My revenge is that you have come here across the world, through the war, over mine-infested seas, to the scene of the crime, to answer to me and to uncover the truth together. That is my revenge." (183)

"What do you think? Do you also believe that what gives our lives their meaning is the passion that suddenly invades us heart, soul, and body, and burns in us forever, no matter what else happens in our lives? And that if we have experienced this much, then perhaps we haven't lived in vain? Is passion so deep and terrible and magnificent and inhuman? Is it indeed about desiring any one person, or is it about desiring desire itself? That is the question. Or, perhaps, is it indeed about desiring a particular person, a single, mysterious other, once and for always, no matter whether that person is good or bad, and the intensity of our feelings bears no relation to that individual's qualities or behavior?" (211)

**spoiler: don't read the following quote unless you've already read the book**

"She died because you went away and because I stayed but never once went to her, and because we-the two men to whom she belonged-were more despicable and proud and cowardly abd arrogant and silent than a women can bear; we ran away from her and betrayed her by our survival." (209)

Tuesday, September 11, 2007

Simple Question and The Last Kabbalist of Lisbon

Question time first (and then an actual review!).

The deadline for the next bookworms carnival is fast approaching. Book Nut's theme is classics, and she's told me that the submissions can be from the beginning of July on. Since I read nine classics for the Summer Reading Challenge, this leaves me with a bit of a dilemma:
should I choose
my post on Emma, which is more personal, but talks about an author everyone knows of,
my post on Cousin Bette and Les Liasons Dangereuses, which is more literary (I use that term broadly), but perhaps a bit dull,
or my post on Candide, The Eustace Diamonds, and The Scarlet Pimpernel, which is quite superficial, but includes two awesome classics that don't get discussed that much?

I just don't know, and I have to decide by Friday. Input would be welcome! (and yes, I'm aware I'm probably taking this too seriously, but I have an indecisive streak as wide as an interstate running through me)

And now, on to a discussion of a real, live book.

I read The Last Kabbalist of Lisbon by Richard Zimler as part of my personal Reading Across Borders challenge, the sequel. I finished it some time ago, but I wasn't really sure how I felt about it, so I decided to give it time to settle.

Low and behold, I still don't know how I feel about it.

I first heard of it at the Amazon "Grownup School" feature, which asks famous authors for ten book recommendations in a field related to their own. (btw, if you've never checked it out, you ought to fix that. run on over. I'll be waiting) It was recommended as "a murder mystery set in the 16th century during a Christian purge of the Jewish faithful in Lisbon. It's absorbing, full of suspense, and not a little gory in parts but it is also well researched and you can learn a lot whilst being entertained."

Let's examine those claims. First of all, the gore. It's definitely there; Zimler doesn't pull his punches when describing the massacre that occurred. Let me offer a representation of the graphic passages in the first half of this book :
I stared at the [severed] woman's head. Her eyes were not vacant. What then? Recoiling from the world? Taking back the cask now offered me, a shiver twisted through my chest as if made by a fleeing spirit. The bearded man held the dangling head up, licked her cheek twice as if savoring the sweat of a lover. Opening the draw string of his pants, he allowed the filth of his uncircumcised pen*s to unsheathe into the air. The woman's black mouth was pried open by fingers cracked with dirt. To his waist she was held. He began to do something unspeakable. The other watched while pressing himself with the palm of his hand. I dated not close my eyes, but I turned away. When his grunting had finished, he laced his pants together and said, "Be careful where you go. People are being mistaken for Jews!"
Definitely not for the squeamish. Oddly, perhaps, I found this graphic writing to be one of the book's strengths; the reader isn't allowed to politely look away from the atrocities. Zimler really brings the horror and terror and profound evil of it all to the forefront.

So, the book was gorey. But was it also "suspenceful" and "absorbing"? Honestly, not really. Reading this and The Book Thief at the same time was interesting; they both deal with genocides against Jews but in very different ways. I think that the stunning brilliance of The Book Thief has quite a bit to do with my hesitations about The Last Kabbalist: almost any book would pall in comparison. Zusak spends the book making the reader fall in love with both the actual narrator (go Death!) and the pseudo-narrator (Liesl); this empathy is essential to the story. Zimler, on the other hand, makes an adolescent boy the first-person narrator of his tale. And the kid is so self-important and whiny (although perhaps the whining may be excused since he's facing genocide), it really alienates the reader. At least, it alienated this reader. So, while I wanted the murder mystery to be solved, I also couldn't bring myself to pick the book up for long stretches of time. This made it slow going.

On the other hand, I truly enjoyed the way that Zimler incorporated Kabbala into the book; I know the bare outline of the philosophy, and it was fascinating to see how the narrator (when his Kabbala overtook his whining) viewed the world through it. Of course, I can't find any passages now that I want to share them with you. However, I think that it's the incorporation of Kabbala into the book that makes some compare this to Eco's The Name of the Rose. While I can see a general similarity, I would call them second cousins more than long-lost brothers. Eco's control of language, which allows him to just play in his novels, certainly isn't present in Zimler's work. At least, not in this, his first novel.

In the end, I'm still torn about whether to give The Last Kabbalist two stars or four. In terms of themes, and descriptions, it's above average. However, its readability and characters are below. I compromised and gave it three, but that's not really accurate. This book is anything but average.

Favourite Passages:
It was the first time either of us had signalled the verb "to kill" in the first person. We realized our language of gestures had to change to keep up with this new, Old Christian century. (87)

Do you know what it means to look at a headless baby sitting in a shovel? It is as if all thelnaguages in the world have been forgotten, as if all the books ever written have been given up to dust. ANd that you are glad of it. Because such people as we have no right to speak or write or leave any trace for history. (87-8)

Sunday, September 2, 2007

The Best Laid Plans

I was so excited to post on my bookpiles of TBR on September 1st. And then what happened? Yesterday seemed to slip away...

+my sister's in town, so that's super fun

+I got a great new hair cut!

+we run a lot of errands

+we watched a couple movies

Thus, the piles come to you a day late. I've divided them up into fic and non-fic-apologies for the bad lighting. For some reason, my overhead light refuses to turn on, and it's dark outside, so the only alternative is a flash. :)



Here're the plans for this month's non-fic, from top to bottom (all for my personal non-fic challenge):
Death at the Priory by James Ruddick: it's as close to cozy English mystery novel I can get to and still be reading truth. I've been looking forward to this for months!
Fast Food Nation by Eric Sclosser: I think it'll be an interesting read (I'm already a vegetarian, so I'm not sure how much it'll affect my eating habits); I'd like to get it done this month so I can get it back on bookmooch, and let someone else read it.
Reason For Hope by Jane Goodall: I plan on reading one memoir/biography a month, and I thought this one would be a good antidote to all of the creepy fiction I'll be reading!
Stiff by Mary Roach: after the disappointing Spook, I'm not expecting much the second go-round. I'd like to get this read so it can get back on book mooch as well. Plus, it seems very appropriate for the R.I.P. II challenge!
The Persian Puzzle by Kenneth Pollack: a continuation from last months' reading. I'm enjoying it, but the tiny print makes it a slower read.
Making War to Keep Peace by Jeane Kirkpatrick. I read about this in the NYT book review this weekend, and my library had a copy. Considering that I did a huge research project my senior of college on peace keeping, I think it'll be fun to read what Kirkpatrick has to say. :)

Now for the dessert side of this month's reading: fiction! Once again taking it from the top...

A Morbid Taste for Bones by Ellis Peters: one of my Unread Authors challenge selections. I think I'll be in the mood for a mystery at some point, and I've heard good things about this series. :)
Seven Gothic Tales by Isak Dinesen: one of my R.I.P. II choices. Don't you love the Gothic type font?! Very excited about this!
Neverwhere by Neil Gaiman: a reread for the Reading the Author challenge. I'm looking forward to revisiting this; I haven't read it in a couple of years.
Something Wicked This Way Comes by Ray Bradbury: another R.I.P. II book, which I started last night (after midnight). I'm already entranced.
The Ghost Writer by John Harwood: I'm not sure if I'll get to this one this month or next (it's another R.I.P. II selection), but look at the creepy spine. How could I not include it in the pile?
The Last September by Elizabeth Bowen: for the Outmoded Authors Challenge. I'm excited to visit Ireland in the prewar years, on a plantation no less; it'll be a new experience for me!
Embers by Sandor Marai: for my personal Reading Across Borders challenge; this is a Hungarian novel. I love Vintage Press-their books are always so pretty. :)
The War of the Saints by Jorge Amado: a carryover from last month (I'm about a third of the way through), and another Reading Across Borders choice. So far, I'm loving it! Its happiness and hope is a good antidote to the spookier books.
Mariette in Ecstasy by Ron Hansen: for the Book to Movie challenge. I ILLed it, so I have to finish it by October 4th. It sounds interesting: a nun at a convent shows signs of, well, ecstasy. Is it real?
Witches Brew: my already-discussed source for the Sunday Short Story aspect of R.I.P. II (expect my first post later today). I probably won't finish it this month; I'll try to spread it evenly over the whole challenge.

Whew! I'm exhausted just thinking about my goals for this month! Well, I'm off to read more Bradbury; I'm only reading it at night, so as not to ruin the great writing with bright sunshine. Happy Labour Day weekend to all my fellow Americans. :)

Saturday, August 4, 2007

Autumn Challenges (or, How Eva Went a Little Crazy)

Well, my main challenge for the rest of the year is obviously in non-fiction. It should be interesting; seven books a month will make up about half my reading! But for the other half, I've decided to join some of the challenges coming up and design a couple of my own: I'm listing them in the order that they start and including pics of the books I own....

+I'm doing a sequel to the Reading Across Borders challenge that I completed earlier, to go from August through December. However, I'm going a little easier on myself this time and including one book from Italy and one from the Commonwealth.
If on a winter's night a traveler by Italo Calvino (Italy)
Yes, it's Italy, but I haven't read Calvino before, and I refuse to put him off any longer. :D
The Last Kabbalist of Lisbon by Richard Zimler (Portugal)
I heard about this via the Amazon adult school feature (so much fun!), and then I mooched it. It's kind of violating my rule, in that I prefer for the book to be set in a country that the author is native to. However, it's historical, and it's about the Portugese Jews, and Zimler is Jewish, so that's how I'm justifying it.
The Moor's Last Sigh by Salman Rushdie (India)
I haven't read Rushdie in way too long. So, despite the fact that he's one of my favourite authors, and thus not really a stretch for me, I'm putting him on the list. Have I mentioned how much I love Rushdie? I'm working my way through his oevre, so this should be fun!
Daughter of Fortune by Isabel Allende (Chile)
I decided to read another book by Allende, since I love House of Spirits and Zorro (I have the latter on cd-it's so much fun!). Plus, the library has a copy.
Snow Flower's Secret Fan by Lisa See (China)
I've heard lots of good things about this, and the library has a copy. I actually checked it out before but didn't get to it in time.
Cry, the Beloved Country by Alan Paton (South Africa)
I'm looking forward to a book set in South Africa, and I've heard that this one is quite fair to both sides. And, once again, the library has a copy.
Bliss and Other Stories by Katherine Mansfield (New Zealand)
I have an embarassing confession: I've never read a book set anywhere near Australia or New Zealand. High time to correct that!
Embers by Sándor Márai (Hungary)
I never seem to read books set in continental Europe. This one seems very interesting, and I could book mooch it!
War of the Saints by Jorge Amado
So, I knew that I wanted to include a Brazilian author on the list. I also knew I wanted to bookmooch it. This ended up narrowing the field to two Amados: this one or Dona Flor and Her Two Husbands. I agonised over the decision, but in the end I went with this one because an African goddess comes to life through a statue of Saint Barbara. How awesome of a plot is that?!
In the Eye of the Sun by Ahdaf Soueif
I wanted a book from the Middle East on the list as well, and I love Egypt (I got visit for ten days a few years back). I was hoping to grab the sequel to Mahfouz's incredible Palace Walk, but it wasn't at bookmooch. So, I decided to go for a woman author, and this one sounds fascinating. I had to decide between this and Map of Love; in the end, I went with this one because it's longer!


+Then, I'm doing a personal short story challenge. My goal is to read at least five short story collections and ten famous individual short stories before the end of the year (this also starts now). My selections are
Case Histories: A Novel by Kate Atkinson
This is a book of three connected stories centered around one detective. I read Behind the Scenes at the Museum a long time ago, and it'll be interesting to see what Atkinson does with this material.
Orsinian Tales by Ursula K. le Guin
I've heard good things about her over the years but never picked up any of her work. I'm looking forward to checking it out.
The Veteran by Frederick Forsyth
This is a collection of five thriller stories. It sounds interesting!
Two Good Collections Here
As you can tell, this list isn't fleshed out yet. I'm going to try and find three great collections at the library, but I wanted to leave myself some browsing room. Open for suggestions
Best American Short Stories of the Century
I'm hoping this will be the source for most of the individual stories-library has it.


+First of the 'real' (i.e.-hosted)challenges, the Books to Movies challenge, which beings in September and gives the participants three months to read three books that have been turned into movies. My choices...
Mariette in Ecstasy by Ron Hansen
I saw this as a rec by a Duke professor, and when I read about it it seemed very interesting. So, when I saw it had been made into a movie and my library has it, I knew we were destined. :D
The Mirror Crack'd by Agatha Christie
I love Agatha Christie, specifically Miss Marple. So, I've taken the opportunity to bookmooch this one, since I plan on owning all the Miss Marples one day.
The Russia House by John le Carre
I've enjoyed the le Carre that I've read so far, but I think that his old stuff is far better than his new stuff. The library has this one as well, since bookmooch doesn't have it in the cover I want (yes, I value the covers of books I own).
alts, in case the library misplaces something, are
Hannibal Rising by Thomas Harris
Mom got this for me in hardcover a few months ago (I've really enjoyed the rest of the series), but then I saw the movie, so I haven't had much of an impetus to read it. This is the only book on the list that I've seen the film for.
The Name of the Rose by Umberto Eco
I bookmooched this, since I want to own all of Eco's work eventually, and I read it a few years ago and really enjoyed it. It'd be fun to reread it, since I don't remember much about it.

+Next up is the Unread Authors Challenge, which also begins in September. You choose six books to read by February of 2008. Since a lot of the fiction I've mooched is new authors, this one works out well!
Bel Canto by Ann Patchett
This was one of my very first mooches, since I think I'm the only one in the blogging community that hasn't read it yet! It keeps calling me from the bookshelf, but I've been distracted by challenge reads. It's time to make time to see what all the fuss is about. :)
A Morbid Taste for Bones by Ellis Peters
I mooched this, because it sounded like a great mystery! I'm always ready to discover another good series.
That Night by Alice McDermott
I mooched this after a good review by litlove (I think it was litlove). It's a skinny read, but I'm looking forward to it.
Kim by Rudyard Kipling
I recently realised that the last Kipling I read was that mongoose story in 7th grade. Shame on me. Plus, I have to include at least one classic in the list!
The Pillars of the Earth by Ken Follett
The heft of this one makes up for the slimness of the McDermott. A friend recommended this to me, and I'm very excited to actually get around to it. My bookmooched copy is just gorgeous!
The Stolen Child by Keith Donahue
I'm super excited about this one, so I wanted to include it on one of my challenges. The only problem will be waiting until September. :)


+Then there's the 2nds challenge. It doesn't start until October, but since I'm listing challenges, I might as well list them all! Joy is hosting this one, and since I didn't participate in the Non-Fiction 5 (kicking myself now), I definitely want to do this one. The idea is that you pick 3 new authors who you enjoyed, and read a second book by them. I think the point is to deepen your connection with authors you've recently discovered. :D I'm going with...
The Little Country by Charles de Lint
I first read de Lint for the Once Upon a Time challenge, and I loved him. So, I bookmooched this copy a couple months ago, and it's been patiently waiting for me. I can't wait to return to his gorgeous writing style and awesome worlds.
Lost in a Good Book Jasper Fforde
This is a follow-up to The Eyre Affair, which upon second reading turned out to be great fun. I mooched this at the same time as the first one, and I hope that it'll be as good.
Road Rage by Ruth Rendell
I first read Rendell for the Summer Mystery Challenge and had a lukewarm reaction. But, I really want to give her another go. This is another bookmooch-if I mooched a book from a user, I could pick one free. This was my freebie.